‘Asylum Gained’? Aspects of Meaning in Thomas Adès's Asyla
Identifieur interne : 000453 ( Main/Exploration ); précédent : 000452; suivant : 000454‘Asylum Gained’? Aspects of Meaning in Thomas Adès's Asyla
Auteurs : Edward VennSource :
- Music Analysis [ 0262-5245 ] ; 2006-03.
English descriptors
- Teeft :
- Allusion, Arnold whittall, Asyla, Asylum, Bass line, Blackwell, Blackwell publishing, Cambridge university press, Coda, Complementary sets, Concert footage, Critical reception, Daunting freedom, Emotive content, Extramusical, Extramusical factors, Footage, Formalist, Fourth movement, Harmonic, Hermeneutic, Hermeneutic interpretation, Hermeneutic interpretations, Hermeneutic reading, Intramusical, Journal compilation, Linear analysis, Linear motion, Madhouse, Maxwell davies, Music analysis, Musical processes, Nale, Other words, Oxford university press, Political asylum, Political refugees, Principal theme, Programme, Programme notes, Second movement, Symmetrical sets, Tarnopolsky, Third movement, Whittall.
Abstract
Critical commentary on Thomas Adès's orchestral piece Asyla (1997) has so far chosen to concentrate on the implications of the work's ambivalent title. The present article seeks to explore the nature of this reception history in greater depth, in particular the way that Asyla has been represented through the medium of television. Employing strategies outlined in Nicholas Cook's work on musical multimedia, this form of visual mediation is combined with the music of Asyla in order to fashion a coherent hermeneutic paradigm. Concerned to question the purpose of any univocal interpretation, however, a formalist reading of the work's finale then proceeds to invert the relationship between primary and secondary analytical perspectives, an approach which reveals the value of an expanded semantic field.
Url:
DOI: 10.1111/j.1468-2249.2006.00234.x
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 002607
- to stream Istex, to step Curation: 002606
- to stream Istex, to step Checkpoint: 000397
- to stream Main, to step Merge: 000452
- to stream Main, to step Curation: 000453
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">‘Asylum Gained’? Aspects of Meaning in Thomas Adès's Asyla</title><author><name sortKey="Venn, Edward" sort="Venn, Edward" uniqKey="Venn E" first="Edward" last="Venn">Edward Venn</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:D2B460962A01E94F1D181D2D14BF17B433E598F4</idno><date when="2006" year="2006">2006</date><idno type="doi">10.1111/j.1468-2249.2006.00234.x</idno><idno type="url">https://api.istex.fr/document/D2B460962A01E94F1D181D2D14BF17B433E598F4/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">002607</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">002607</idno><idno type="wicri:Area/Istex/Curation">002606</idno><idno type="wicri:Area/Istex/Checkpoint">000397</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000397</idno><idno type="wicri:doubleKey">0262-5245:2006:Venn E:asylum:gained:aspects</idno><idno type="wicri:Area/Main/Merge">000452</idno><idno type="wicri:Area/Main/Curation">000453</idno><idno type="wicri:Area/Main/Exploration">000453</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main">‘A<hi rend="smallCaps">sylum</hi> G<hi rend="smallCaps">ained</hi>’? A<hi rend="smallCaps">spects</hi><hi rend="smallCaps"> of</hi> M<hi rend="smallCaps">eaning</hi><hi rend="smallCaps"> in</hi> T<hi rend="smallCaps">homas </hi>A<hi rend="smallCaps">dès's</hi><hi rend="italic"> A<hi rend="smallCaps">syla</hi></hi></title><author><name sortKey="Venn, Edward" sort="Venn, Edward" uniqKey="Venn E" first="Edward" last="Venn">Edward Venn</name><affiliation><wicri:noCountry code="no comma">Lancaster University</wicri:noCountry></affiliation></author></analytic><monogr></monogr><series><title level="j" type="main">Music Analysis</title><title level="j" type="alt">MUSIC ANALYSIS</title><idno type="ISSN">0262-5245</idno><idno type="eISSN">1468-2249</idno><imprint><biblScope unit="vol">25</biblScope><biblScope unit="issue">1‐2</biblScope><biblScope unit="page" from="89">89</biblScope><biblScope unit="page" to="120">120</biblScope><biblScope unit="page-count">32</biblScope><publisher>Blackwell Publishing Ltd</publisher><pubPlace>Oxford, UK</pubPlace><date type="published" when="2006-03">2006-03</date></imprint><idno type="ISSN">0262-5245</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0262-5245</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Allusion</term><term>Arnold whittall</term><term>Asyla</term><term>Asylum</term><term>Bass line</term><term>Blackwell</term><term>Blackwell publishing</term><term>Cambridge university press</term><term>Coda</term><term>Complementary sets</term><term>Concert footage</term><term>Critical reception</term><term>Daunting freedom</term><term>Emotive content</term><term>Extramusical</term><term>Extramusical factors</term><term>Footage</term><term>Formalist</term><term>Fourth movement</term><term>Harmonic</term><term>Hermeneutic</term><term>Hermeneutic interpretation</term><term>Hermeneutic interpretations</term><term>Hermeneutic reading</term><term>Intramusical</term><term>Journal compilation</term><term>Linear analysis</term><term>Linear motion</term><term>Madhouse</term><term>Maxwell davies</term><term>Music analysis</term><term>Musical processes</term><term>Nale</term><term>Other words</term><term>Oxford university press</term><term>Political asylum</term><term>Political refugees</term><term>Principal theme</term><term>Programme</term><term>Programme notes</term><term>Second movement</term><term>Symmetrical sets</term><term>Tarnopolsky</term><term>Third movement</term><term>Whittall</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Critical commentary on Thomas Adès's orchestral piece Asyla (1997) has so far chosen to concentrate on the implications of the work's ambivalent title. The present article seeks to explore the nature of this reception history in greater depth, in particular the way that Asyla has been represented through the medium of television. Employing strategies outlined in Nicholas Cook's work on musical multimedia, this form of visual mediation is combined with the music of Asyla in order to fashion a coherent hermeneutic paradigm. Concerned to question the purpose of any univocal interpretation, however, a formalist reading of the work's finale then proceeds to invert the relationship between primary and secondary analytical perspectives, an approach which reveals the value of an expanded semantic field.</div></front></TEI><affiliations><list></list><tree><noCountry><name sortKey="Venn, Edward" sort="Venn, Edward" uniqKey="Venn E" first="Edward" last="Venn">Edward Venn</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000453 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000453 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:D2B460962A01E94F1D181D2D14BF17B433E598F4
|texte= ‘Asylum Gained’? Aspects of Meaning in Thomas Adès's Asyla
}}
| This area was generated with Dilib version V0.6.33. |  |